Gallery: A lounge in four seasonsComment on this story
A living room decorated with blush and pink accents to reflect the hopefulness of spring. Photo for The Washington Post by Mike Morgan.
The living room decorated for summer: "Summer is a restful, relaxing, laid-back time of year. Blue water and blue skies are part of that," Elliot said. Photo for The Washington Post by Mike Morgan.
The living room in autumn... "so melancholy, a transitional season from summer, which most people love, to winter, which can seem endless." Photo for The Washington Post by Mike Morgan.
The living room in winter, accented with metallic accessories. "Winter weather can be so harsh, so we thought a warm glow would be appealing." Photo for The Washington Post by Mike Morgan
For spring, the scalloped dish on the tray picks up the shape and color of tulips in a deep pink vase. Photo for The Washington Post by Mike Morgan.
For summer, Elliott grouped vases in aqua crackle with books in similar colours on a brass tray Photo for The Washington Post by Mike Morgan.)
In the bookcase, a West Elm glass and a vintage ceramic vase, vintage bookends and decoupage boxes reinforce the green theme for fall. Photo for The Washington Post by Mike Morgan.
Elliott chose metallic pieces for the coldest season to create a warm glow. In the bookcase, the vintage bull, bowl and candlesticks repeat light-reflective brass finishes. Photo for The Washington Post by Mike Morgan.
Gallery: A lounge in four seasons
Washington - Some people like the seasons to reflect in their homes. According to designer Annie Elliott, the changing seasons allow homeowners to “shake things up, to take a fresh look at your house, move pieces from room to room and maybe add something new you’ve picked up”.
We asked Elliott to demonstrate these possibilities in a lounge that she decorated for lawyers Ada Fernandez Johnson and Mike Johnson and their three children. The designer’s company specialises in helping homeowners overcome their fear of bright and bold.
“I encourage people to buy what they love – a funky lamp, a quirky sculpture – and use that as the starting point for personalising a room,” she says.
Elliott and her team left the Johnsons’ sofa, Oriental rug and window shades in place, while substituting a tall, leather wing chair and a glass-topped coffee table for older pieces. These furnishings serve as the anchors for a changing array of side tables, lamps, pillows and accessories.
Elliott started the redecorating process with the fireplace, the focal point of a room. “Hanging a mirror there is a cop-out. I’d much rather see a collection of large objects if you don’t have the right art.”
For the spring-themed room, the designer arranged sepia-toned photos on the hearth; for summer, she clustered a group of paintings in different sizes on the mantel.
Colours drawn from the artwork around the fireplace were amplified throughout the room by varied shades of the hues, which Elliott says makes a space feel “more authentic”.
“So instead of having a beige room with a cobalt blue lamp and a cobalt blue pillow – the ‘pop of colour’ approach – I like to use different blues,” she says.
Elliott grouped the objects in odd numbers on shelves and tables, rather than pairing them symmetrically.
“It is much more powerful to bring a collection of things together on a surface than scattering them around the room,” she says. “Pile books on the tables, and the room invites you to snuggle in and read. Switch to photographs and coasters, and the room invites conversation.”
To evoke the feeling of spring awakening, the designer used blush tones. “Pink feels soft and hopeful.”
Elliott sought a more sophisticated colour scheme than the palette of yellow and green typically associated with the season, drawing instead on the pastel colours of the still life by Russian artist Vladimir Kim above the fireplace.
Flanking the painting are curvy vases filled with pussy willows. The pillows and plaid throw repeat the soft colours. The small bronze side table is set with an ashtray; it looked empty otherwise. Bookshelves display shell boxes, glass vases and vintage brass cranes.
“Visually, we wanted to distribute pinks and warm tones – brass, wood – throughout the room to represent the warmth and optimism of spring.”
Next to the sofa, the burlap-skirted table holds a vintage lamp. The candle-filled lantern and decorative box repeat the pink found elsewhere in the room.
“Summer is a restful, relaxing, laid-back time of year. Blue water and blue skies are part of that.”
To reinforce a casual, holiday mood, Elliott clustered paintings in similar colours on the mante, added a vintage rope lamp on the table and leaned a nautical scene against the bookcase.
Striped pillows enliven the sofa and chair. Brass accessories and tray contrast with the marine blue of the vases on the coffee table.
Next to the chair, a lotus-shaped candleholder rests on a cylindrical, moulded rubber side table. Glass vessels on the bookshelves lighten the mood through transparency. The fig tree was relocated from the homeowners’ bedroom.
Autumn, said the designer, is “so melancholy, a transitional season from summer, which most people love, to winter, which can seem endless”.
Elliott avoided traditional autumn colours such as pumpkin and harvest gold to play up the emerald green and purple of a landscape painting by artist Liza Houston. “These colours feel right for representing shorter days.”
On the bookshelves, boxes, vintage Foo Dog bookends and vases repeat the green colour scheme. Elliott suggests stacking books on side tables, not just on shelves and coffee tables. “I like putting an object on top of them – it’s the period in the sentence.”
The glass lamp next to the sofa is balanced by a tall glass vase next to the fireplace.
Natural materials – the fur pillow on the chair, cowhide pillow on the sofa and rattan tray on the coffee table – add earthy, outdoorsy touches. The side tables next to the chair are made of tree trunk slices on iron legs.
“Winter weather can be so harsh, so we thought a warm glow would be appealing.”
Elliott chose metallic pieces for the coldest season to reflect the light, including a Japanese-style screen, bronze side table and burnished gold bar cart.
On the coffee table next to capiz (shell) hurricane lamps, a gold sphere rests on a rattan tray. A brass bull in the bookcase and stag bowl on the side table repeat the room’s reflective finishes.
The red of the blossoms in the screen above the fireplace is picked up in the homeowners’ lamp and designer’s leather stool.
Simply rearranging the accessories, says Elliott, can change the mood of a room.
“A bowl or a sculpture looks graphic when you put it on a bookshelf. When you move it to the coffee table where you can see it from all sides, it’s more accessible.
“Make enough of these small changes, and the room moves from formal to casual or vice versa.”
– The Washington Post