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DIRECTOR: Darren Aranofsky
CAST: Russell Crowe, Jennifer Connolly, Emma Watson, Anthony Hopkins
CLASSIFICATION: 13 V
RUNNING TIME: 140 minutes
What to make of Darren Aronofsky’s Noah? Perhaps that’s the wrong question. Indeed, what NOT to make of Noah? Because it is so many things.
It is, of course, a biblical blockbuster, a 21st-century answer to Cecil B DeMille. It’s also a disaster movie – the original disaster, you might say. It’s an intense family drama. Part sci-fi film. An action flick? Definitely, along the lines of The Lord of the Rings. At times you might also think of Transformers, and at one point, even The Shining.
But there’s one thing Noah is not, for a moment: dull. So, what to make of Noah? It’s a movie that, with all its occasional excess, is utterly worth your time.
Although the real star of the film is its visual ingenuity, one must give ample credit to Crowe, who lends Noah the moral heft and groundedness we need to believe everything that ends up happening to him.
Noah’s near-descent into madness would not be nearly as effective had Crowe not already convinced us of his essential decency. At the same time, he is believable when pondering the most heinous crime imaginable. It’s one of Crowe’s more effective performances.
It wouldn’t have been possible, though, without considerable liberties taken by Aronofsky and his co-screenwriter, Ari Handel, in framing Noah’s story. There’s been controversy here, but if you glance at the Bible, you’ll see why liberties are necessary: The story takes up only a few passages, hardly enough for a feature-length script.
And yet, it’s one of the best-known tales in the Bible, if most of us only remember the children’s version, with visions of brightly painted animals standing two-by-two on the ark. But there’s a much more serious backdrop: man’s wickedness, and God’s desire to purge the Earth of it.
Aronofsky dives headlong into this story of good vs evil, not only between men, but within one man’s soul.
We meet Noah and his family as they are attempting to live peacefully off the land, and ward off the greedy, violent descendants of Cain. Noah has three sons and a wife, Naameh (Connelly). Along the way they pick up Ila, an injured girl who will grow to love Noah’s son Shem (Ila is an invented character, played with sensitivity by Watson).
Noah visits his grandfather, Methuselah, embodied with scene-stealing vigour by Hopkins. The old man – and by the way, this is relative, because Noah himself is already more than 500 years old, according to the Bible – helps him induce a hallucination, which brings a vision. The Creator will destroy Earth in a great flood.
Noah’s job, of course, is to build that great ark, and get out of Dixie.
It’s a huge task, but Noah has help: the Watchers, lumbering creatures made of rock, who, for Aronofsky, represent the biblical Nephilim. Are they angels, giants or men? Interpretation varies.
But it is here that the movie courts ridicule. These creatures look too much like Transformers, and detract from the mystical feel of the film.
But that ark? It’s a wondrous thing – constructed on a Long Island field, according to measurements specified in Genesis, and finished up digitally.
Also stunning: the flood itself, more chilling than any you’ve seen in a disaster flick. It’s also magical to watch the animals arrive, two by two (and because of CGI) at the ark.
But for sheer cinematic beauty, it’s hard to beat the dreamlike sequence in which Aronofsky illustrates the story of creation, as recounted by Noah. Here, you may well forgive any excesses in the film. Like his flawed hero, Aronofsky has a vision – a cinematic one – and the results, if not perfect, are pretty darned compelling. – AP
If you liked The Passion of Christ you’ll like this.
WIN! WIN! WIN!
To celebrate the release of Noah, five lucky readers can each win a Noah hamper. Each hamper consists of a wood-finish pen with stylus attachment, packaged in wooden presentation box; an A5 leather notebook with strap closure which features parchment style pages with a subtle map print; and a copy of the Judas DVD.
To stand a chance of winning, all you need to do is send your name and contact details to Sharon_Naidoo@uip.com. Please put “Noah Competition” in the subject bar. The competition closes on Monday, April 7, at noon. Only the winners will be contacted.