This is no ordinary year for South African contemporary theatre dance, with the important milestones various professional dance companies and institutions will celebrate.
An ambitious offering, Living Dead Girl is a refreshingly relevant piece of theatre that finds itself on stage in an age of persistent violence against women.
After about seven years of not being on stage, writer John van de Ruit was worried he may be “off his game” on the opening night of The Rise of the Insanity League.
For the first time, a South African deaf theatre organisation is set to perform in Europe at the Clin d’Oeil Festival, which is a one-of-a-kind, multidisciplinary event...