Diahann Carroll, TV trailblazer for black women, dies aged 84

This 1987 file photo shows actress Diahann Carroll at the Emmy Awards in Los Angeles. Picture: Douglas Pizac/AP

This 1987 file photo shows actress Diahann Carroll at the Emmy Awards in Los Angeles. Picture: Douglas Pizac/AP

Published Oct 5, 2019

Share

New York - Diahann Carroll, a versatile

singer and stage actress who quietly blazed a trail for black

women on American television in the late 1960s by playing a

widowed nurse and single mother in "Julia," died on Friday at

age 84, her manager said.

Carroll, whose career also was punctuated by a pioneering

Tony Award and an Oscar nomination, had been suffering from

cancer and died in her sleep at home in Los Angeles with her

daughter by her side, her manager, Brian Panella, said by phone.

"She had been fighting it for quite some time, and did not

want the world to know," said Panella, who had managed her

career for 20 years.

With a handful of movie roles and an award-winning Broadway

career already under her belt, Carroll landed the title role in

the 1968 situation comedy "Julia." She played Julia Baker, a

nurse struggling to raise a young son by herself after her

husband was killed in the Vietnam War.

The show, which ran for three seasons on NBC and earned

Carroll a Golden Globe Award and Emmy nomination, was a

breakthrough for African-American women who were only beginning

to make inroads on the small screen at the time.

Actress Nichelle Nichols first appeared two years earlier on

"Star Trek" in the supporting role of communications officer

Lieutenant Uhura. But "Julia" was the first prime-time network

series to star a black woman playing a professional character,

as opposed to a maid or domestic worker, as was the case in the

1950s sitcom "Beulah."

"She never wanted to praise herself for anything in that

regard," Panella said. "It was more that she felt that she was a

part of the expansion of the African-American community in the

arts, not the sole creator of that movement."

Carroll's close friend and fellow vocalist from that era,

Dionne Warwick, reacted with grief, saying, "My personal world

has taken a downward spiral. Losing my dear friend and mentor

comes as a true hurt to my heart."

Carroll's success as "Julia" set her up for another title

role in the 1974 movie, "Claudine," for which she received an

Academy Award nomination as best actress. Playing opposite James

Earl Jones, she reprised her single-mother persona, this time

living in Harlem with six children and on public relief.

She went on to play numerous screen roles, mostly in

television shows and made-for-TV movies, until just a few years

ago. Besides "Julia," she is perhaps best remembered by TV

audiences for her role as Dominique Deveraux, a glamorous diva

on the 1980s hit prime-time soap opera "Dynasty."

This 1986 file photo shows Diahann Carroll, John Forsythe, Linda Evans and Joan Collins from "Dynasty" cutting a cake to commemorate the production of 150 episodes of the show in Los Angeles. Picture: Reed Saxon/AP

Carol Diann Johnson was born in the Bronx borough of New

York City on July 17, 1935, daughter of a subway conductor, and

began singing with her Harlem church choir at age 6, according

to IMDB.com.

Modeling for Ebony magazine by the time she was 15, she

adopted the more exotic-sounding Diahann Carroll as a teenager

auditioning for singing gigs, it said.

In 1954, she landed her first singing role on Broadway in

the musical "House of Flowers," before going on to play Clara in

the Otto Preminger's big-screen version of "Porgy and Bess in

1959. She also had auditioned for the lead in Preminger's 1954

film adaptation of "Carmen Jones" but ended up cast in the

supporting role of Myrt instead.

Her performance as a fashion model in the 1962 Broadway

musical interracial love story "No Strings" won her a Tony Award

as best actress, a first for an African-American performer.

Carroll, who had been married four times, also sang in

nightclubs and recorded several record albums from the late

1950s to the mid-1960s.

"She was a tremendous talent and just a very unique human

being," said Panella. "I was blessed to have her as my client

for all of that time.” 

Reuters

Related Topics: