This image released by Lucasfilm shows John Boyega as Finn in "Star Wars: The Last Jedi," in theaters on Dec. 15. (Lucasfilm via AP)
The Last Jedi
is a bolder and darker take on the Star Wars episodic cinematic universe that isn’t scared to take some chances.

Whereas JJ Abrams’s The Force Awakens may have played it safe (minus Kylo Ren killing his father, Han Solo), following a previous template of how a Star Wars movie should feel, The Last Jedi is allowed to breathe under the assurances that fans are happy these movies are back. That allows director and writer Rian Johnson to take the film’s major characters to unexpected places.

Johnson’s master stroke is his handling of Mark Hamill’s return as now-reluctant Jedi Master Luke Skywalker. Hamill was limited to a quick appearance at the end of The Force Awakens, but his role in The Last Jedi is meaty and impactful.

Johnson gives us a look into the soul of the greatest Jedi there ever was and forces Skywalker to revisit the moments that led to his self- imposed exile.

Luke is joined by apparent Jedi apprentice Rey (Daisy Ridley), who quickly realises that if she’s ever going to truly learn the ways of the Force, she’s going to have to help Luke realise they’re worth teaching again.

Despite the newness of this trilogy and its new generation of stars, Hamill’s presence is what makes this movie special. He brings it all: humour, sadness, pain.

Those hoping he’d get another shot at the action won’t be disappointed, and credit goes to Disney and Lucasfilm for keeping those moments out of the trailers. But for all the excitement of Hamill potentially breaking a sweat in this film, it’s the quiet moments that shine.

Johnson doesn’t give us a Luke Skywalker who swoops in and realises he must save the day right away.

Instead, Luke is a man of regret. The best advice he can give to an eager-to-learn Rey are the mistakes he made along the way.

Those mistakes give The Last Jedi a bit of shock value and show Luke as all too human, with the ability to sometimes make the wrong choice.

Luke’s doubts in himself cast a shadow over Rey’s development into a Jedi. It’s no secret from the trailers that there’s a moment where Kylo Ren reaches out his hand to her.

That might have seemed shocking at first, but what leads to that moment is probably The Last Jedi’s biggest surprise of the entire movie.

The internal struggle of dark and light within Kylo Ren continues. The would-be Sith legend who had no trouble executing Han Solo in The Force Awakens struggles when given the same opportunity to take down his mother, Leia (Carrie Fisher).

Of all the characters in this movie, Kylo Ren, played by Adam Driver, is the toughest to work out.

Supreme Leader Snoke (Andy Serkis) believes Kylo’s true inner-Vader is there for the embracing. Rey feels her connection with Kylo has shown her things he can’t see. But only Kylo Ren knows for sure, staying one step ahead of everyone, just like grandpa Vader would.

Driver is solidifying his character as a true next-generation Vader.

The kid gloves are off, but the uncontrollable attitude and squiggly red lightsabre remain.

Outside of the big three (Luke, Rey and Kylo), several other characters are given a chance to shine and have an impact on the plot.

Finn (John Boyega) brings more heroics alongside newcomer Rose (Kelly Marie Tran).

Poe Dameron (Oscar Isaac) and his swashbuckling-in-a-jet attitude gets him in trouble.

There are, of course, plenty of fun BB-8 moments and Fisher, as Leia Organa, shows that Luke isn’t the only one strong with the Force.

Johnson has been handed the Star Wars ball and played a beautiful game (before passing back to Abrams for episode IX).

The Last Jedi is exactly the type of “new” Star Wars film fans expected when Disney announced there would be more “episodes”.

This film plays on the power of the past with the promise that things will only get more exciting in the future.