In movies about teenagers, single dads often come across as more absentee or overbearing than they do empathetic. Sure, some feature arcs that end with a father capable of providing his children with adequate emotional support - which, to be fair, is how most mothers are expected to be from the get-go - but fewer start off this way.
We've met a lot more like Harry Dean Stanton's downtrodden dad in "Pretty in Pink" or Larry Miller's overprotective dad in "10 Things I Hate About You" than we have those like Atticus Finch in "To Kill a Mockingbird."
That changed recently when the progressive movie gods that be gave us a bunch of sensitive single dads to root for. From "To All the Boys I've Loved Before" to "Eighth Grade," the dads display a brand of thoughtfulness often reserved for their female counterparts. They guide their daughters like the competent caretakers they are, avoiding the bumbling Mr Mom portrayals of movies past.
"To All the Boys," Susan Johnson's adaptation of Jenny Han's young adult book, centres on middle child Lara Jean (Lana Condor), a high school junior who fakes a relationship with jock Peter Kavinsky (Noah Centineo) in order to hide her feelings for someone else.
In the film, Dr Covey remembers meeting "little Peter Kavinsky" when Lara Jean was young and is acutely aware of how much happier and more confident she becomes as she "dates" Peter. He recognizes his limitations and, when Lara Jean struggles with her relationship, takes her to the diner he used to frequent with her mother to honour the place she holds in Lara Jean's heart: "Seeing you come alive like that, you remind me of her," he tells his daughter. "Just don't hide that part of yourself, okay, honey?"
As someone on Twitter pointed out, Dr Covey seems to be an upgraded version of Walter Stratford (Miller) in "10 Things I Hate About You." Both men are widowed gynaecologists, but whereas Walter straps a pregnancy suit onto his daughter Bianca to scare her away from kissing boys, Dr. Covey attempts to have an honest conversation with Lara Jean before she goes on a ski trip by asking, "Did you know most unwanted teenage pregnancies are the result of expecting abstinence?"
Lara Jean responds with an "Ew, dad, what are you doing?!" expression, of course.
But wait, there's more. Brett Haley's "Hearts Beat Loud" follows indie dad Frank Fisher (Nick Offerman), a longtime widower and failing record store owner in Brooklyn who struggles to cope with the nearing departure of his UCLA-bound daughter, Sam (Kiersey Clemons). While Frank needs to grow up a bit more than his movie-dad peers - the loose plot involves him trying to convince the talented Sam to forgo her pre-med future and start a band with him instead - his selfishness comes from a place of love, and he learns to get past it. His dream is ultimately for his daughter to fulfill hers, similar to what the single dad in "The Kissing Booth" (Stephen Jennings, who we don't really see much) tells his daughter, Elle (Joey King), when he disapproves of her rebellious boyfriend but trusts her enough to make her own choices.
The past few months also presented us with the single fathers played by John Cho in Aneesh Chaganty's "Searching" and Ben Foster in Debra Granik's "Leave No Trace," both of whom lean more "Mrs. Doubtfire"-style parenting overhaul than Dr. Covey-style persistent understanding, if only because they make heartbreaking discoveries in an effort to do right by their teenage daughters: David Kim (Cho) realizes he hasn't done enough to comfort the troubled Margot (Michelle La) after her mother's death, whereas Will (Foster), a veteran suffering from severe PTSD, recognizes that his life on the outskirts doesn't provide his 13-year-old daughter with the regular human interaction she needs.
Despite their vastly different circumstances, all five summer-movie dads recognise what our society as a whole has increasingly come to realise: that their responsibility as a caretaker is to consider the emotional health of their children and to be there to help boost it - not as a replacement for their mothers, but as a parent in their own right. It's like Mark tells Kayla in that pivotal scene: He is "just so unbelievably happy" that he gets to be her dad. We couldn't agree more.Washington Post