#PoeticLicence | They sang songs whose chorus was banging bullets tasting their flesh #YouthDay

Magnum Opus. Picture : Lungelo Msibi

Magnum Opus. Picture : Lungelo Msibi

Published Jun 16, 2018

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We are still learning how to stay true to the ideals you died for.

The shattering pain when your spirits ripped through and escaped your bodies.

The blood rain that baptised your skins on that cold winter’s day.

You could barely carry your feet.

Yet still we ran in the township streets chasing our dreams.

But bullets were thirsty. They ran behind you.

When they quenched their thirst, Hector was first.

A part of us is trying to escape the oppression in the air.

Another part has no idea it’s in despair.

But the pre born-frees have anger wounds that are still gaping.

The dust has settled, only because roads are concrete now.

This dust still bubbles under the tar.

The heart of Soweto and its streets still remember the scent of this dust.

It lingers in its rib cage.

In a slumber, the future is suffocating.

We have spent the better part of democracy adjusting to awakening.

We have spent the better part of freedom exploring temporary access to a class we can never fit in.

The noose has moved from our necks to our pockets.

The chains from our wrists to our minds.

Propaganda spreads through a smaller box now.

One that isn’t bound to our living room and only waits for dinner time to programme our kind.

One that is attached to our hands to keep us blind.

Thumbs on touch screens, shoulders are caved.

Necks are bent because slaves are meant to bow.

The war we are fighting didn’t end with the battle of ’76.

Your lives were lost but not in vain.

Your lives were lost for our gain.

But we commemorate as hash-tagging zombies.

I do not have a pessimist bone inside me.

My glass has been half full for decades.

But our book of wisdom keeps the taps dry in our neck of the woods.

My heart has been hopeful for eternity.

But youth day has a corpse for a poster child, is it to remind us what will happen if we attempt a revolution?

Because we live to die for this revolution.

It was the young lions of our land. The schoolchildren who sacrificed the only things they had, their lives, to take on the system in a struggle for education.

This revolution is for Pieterson. For Makhubu. For Mashinini.

For all the cubs who had their paws up, claws drawn in; to show they were unarmed while they sang.

They sang songs that asked what they’ve done to deserve this.

Songs that proclaimed that their crime was being black and for this, they would perish.

Songs whose chorus was banging bullets tasting their flesh.

Songs that forced many a young black into exile.

These songs were graced with a standing ovation captured through the lens of Sam Nzima in “The beginning of the end of apartheid”.

The catalyst for violence was when police opened fire on you, little did they know you were fluent in the dialect of flames.

You do not swing to the tone of their pendulum and shame.

Streets, properties and vehicles were set alight as three days of rioting ensued.

But no man resurrects on the third day where we come from.

You never made it to Orlando Stadium.

These are the songs of my people.

We are still learning how to stay true to the ideals they died for.

*This poem was co-written by Magnum Opus. An ensemble of award-winning poets including Thobani Mntambo, Sibusiso Ndebele and Rabbie Wrote.

@OpusPoetry

The Saturday Star

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