DIRECTOR: Nicholas Stoller

CAST: Jason Segel, Emily, Blunt, Alison Brie, Chris Pratt, Rhys Ifans


RUNNING TIME: 125 minutes


IS JASON Segel a man or a Muppet? In The Five-Year Engagement, a running sight gag has the enormously adorable comic actor dressed in a pink bunny suit, which his character Tom wore to the New Year’s Eve party where he met Violet (Emily Blunt). She’s dressed as a comely, doe-eyed Princess Di, and it’s no wonder that the two hit it off. Precisely one year later, as The Five-Year Engagement opens, Tom proposes to Violet in one of the cutest marry-me sequences staged in recent movie history.

In fact, the first 45 minutes or so of The Five-Year Engagement, which Segel wrote with director Nicholas Stoller (Get Him to the Greek), pop and zing with both comic fizz and refreshing authenticity. Set to a delicious soundtrack, Tom’s and Violet’s lives feel more real than the usual Hollywood confections, with Tom working as a sous chef in a San Francisco restaurant and Violet anxiously awaiting acceptance to a postdoc psychology programme.

The Five-Year Engagement hits a speed bump right when Tom and Violet do, after they move to Michigan for Violet’s post-doctorate appointment. Tom can’t find a job and winds up making sandwiches at the legendary Zingerman’s Deli; Violet comes under the sway of a flashy psych professor (played to pitch perfection by Rhys Ifans) and the two begin to grow apart.

Instead of rushing toward the expected third-act resolution, Segel and Stoller dig in, giving Tom’s deepening depression increasingly alarming physical cues, from a set of unruly lamb chop facial whiskers to the now-filthy bunny suit, which he wears on particularly aimless days.

Because it’s so willing to drill down into Tom and Violet’s misery, The Five-Year Engagement involves a higher grim-to-grin ratio than its fluffier brethren. There’s a particularly unsavoury encounter at the deli after hours, and someone winds up losing a body part.

Those are the moments that make the two-hour Five-Year Engagement feel a half-hour too long.

But there’s an unmistakable ring of truth to the couple’s conflicts and mixed feelings. During one utterly on-point argument, Tom insists he wants to be alone, then balks when Violet gets up to leave the room.

He didn’t mean alone alone, he meant together alone.

Later, Violet and her sister play out an argument entirely in Cookie Monster and Elmo voices. Those are the moments that make that extra half-hour, if not narratively entirely necessary, at least worth it.

In keeping with the current trend of R-rated romcoms The Five-Year Engagement has its fair share of gratuitous profanity.

I liked The Five-Year Engagement, and then I didn’t, and then I did – which seems just about right for a movie dedicated to examining how even the purest affections can be fatally derailed. – Washington Post