Around an enormous outdoor runway lit with dozens of floating tealights, French label Christian Dior crisscrossed cultures and continents at its first fashion show in Morocco on Monday, with beaded dresses and patterned prints taking center stage.
As night fell over the city's 16th century El Badi Palace and its pool and gardens, models - some wearing bandanas - showcased flowing gowns in maroon or black alongside patterned styles in fabrics from Ivory Coast, fashioned into the brand's trademark synched suit jackets.
Unusually for the French label, it commissioned an Abidjan-based firm to manufacture the cloth, which in its most elaborate form is printed on two sides, and which featured Toile de Jouy-style figures and landscapes Dior is known for.
"You're really speaking about the human touch here, like in couture," Dior's creative chief Maria Grazia Chiuri said in an interview in Paris ahead of the show. The fabrics, found across West Africa and showcasing symbols that are sometimes used as a form of language, had inspired the collection, she added.
Designers Pathé Ouedraogo - or Pathe'O, from Burkina Faso, who is known for dressing Nelson Mandela - and Grace Wales Bonner, a British artist, also worked with Dior on pieces for the show, among other collaborators.
"It helps us to have a different point of view," Chiuri said, adding that fashion was shifting from a time when it only "spoke only with a small audience".
"The way you can speak about the silhouette, the relationship between the dress and the body, and about how you represent yourself, if you see this argument only from one point of view, I don't think it's believable today."
LVMH-owned Dior and other luxury brands are increasingly turning to elaborate or far-flung catwalk displays to emphasise their Cruise ranges, which tend to have a longer shelf life in store than other collections.