Little done to aid 3 million disabled South Africans

Marlene le Roux, who is the chief executive of the Artscape Theatre, admires the Pietà, a painting by Manfred Zylla, on display at the surgery seminar room of Groote Schuur Hospital. It depicts her with her late son Adam, who lived with cerebral palsy. Photo: Supplied

Marlene le Roux, who is the chief executive of the Artscape Theatre, admires the Pietà, a painting by Manfred Zylla, on display at the surgery seminar room of Groote Schuur Hospital. It depicts her with her late son Adam, who lived with cerebral palsy. Photo: Supplied

Published Dec 10, 2018

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Cape Town – South Africa has about 3 million people living with disabilities, equating to about 7.5% of the country’s population.

The acceptance of people with disabilities is an ever-changing and ever-evolving process in all societies. Historically, people with disabilities have been excluded from the majority of meaningful activities in society, including access to education, health and economic opportunities (Albert & Hurst, 2004).

Disabilities are most often seen as medical defects that must be cured by doctors, a restrictive approach often referred to as "the medical model”.

In most societies, people with disabilities are an oppressed minority and are often seen as having a negative effect on society.

In response to this systematic bias, disability advocates and researchers have called greater attention to the need to break down historic barriers that prevent people with disabilities from fully participating in mainstream activities, effectively promoting their inclusion as full members of society and empowering them to maximise their own level of self-determination.

In a limited number of countries, governments have adopted legislation favouring actions aimed at providing disabled persons with equal access to all services and activities; however, not all of these countries have fully implemented changes.

In much of the developing world, people with disabilities are still largely forgotten and destined to a world of seclusion, ie denied the freedoms enjoyed by able-bodied persons. 

Even in South Africa, where the plight of the disadvantaged has been recognised in the constitution, little has been done to actively integrate people with disabilities - particular women, youth, poor and rural residents - into mainstream society.

The annual observance of December 3 as International Disability Day was intended to promote the rights and inclusion of people with disabilities in all spheres of life.

However, it seems as if this day has just become like any other. All we have to do is look around us, and observe and listen to the lived realities of the majority of people with disabilities in South Africa to see that there has been little to minimal change in their situation in every aspect of life - including economic, cultural and socio-political.

Despite the observance of this day, being subjected to prejudice, social injustice, exclusion and marginalisation, particularly in the areas of job creation, education and community integration, are experienced by people with disabilities on a daily basis.

Unless a commitment to inclusion and justice for people with disabilities becomes a focal point on our agenda, accompanied with real and relevant change in the life situation of people with disabilities, December 3 will become just another meaningless day.

The much-anticipated Arts Ability festival 2018 was presented by the Unmute Dance Theatre in association with the Artscape Theatre Centre to celebrate the International Week for Persons Living with Disabilities from November 27-December 2 at the Artscape Theatre in Cape Town, with the aim of educating and entertaining for the summer.

Unmute ArtsAbility Festival is entering its fourth year of showcasing groundbreaking inclusive multi-disciplinary artworks to a South African audience. It is an integrated arts platform that presents world-class collaborative artistic works by artists living with and without disabilities. 

This festival incorporates dance, live music, poetry, visual arts, film, fashion design, art installations, and site-specific performances as a medium to challenge the public’s misconception on people living with disabilities.

Le Roux’s son, Adam George, lived with cerebral palsy

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